3,519 Free Artworks of Plate 14

metropolitan museum of artprints in the metropolitan museum of artetchingprintetching and engravingyale center for british artpaperthe elisha whittelsey collectionromanticism,fairy paintingwilliam blake
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse...", John Vanderbank, 1729
drawings in the yale center for british artjohn vanderbank
Plate 14: shepherdess herding goats, Stefano della Bella, circa 1641
prints by stefano della bella in the metropolitan museum of artbaroque
Turgot map Paris KU 14, 1739 (publication)
turgot map of paris, kyoto university librarysheet 14 of the turgot map of paris
Caryatidum (Vulgas Termas Vocat) sive Atlantiadium Multiformum - Plate 14, Hans Vredeman de Vries, circa 1565
architectural drawings by hans vredeman de vriesterms in art
"Landvig Lake", John William Edy, 1800
boydell's picturesque scenery of norwayagder in art
Miranda (Shakespeare, The Tempest, Act 1, Scene 2), John Boydell, 1784
works after robert edge pinecaroline watson
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2), Théodore Chassériau
artworks with known accession numberartworks without wikidata item
1839-14-Thomas Moore, Esq, 1838
fisher's drawing room scrap book platesgeorge adcock
Doryanthes excelsa (Illustrationes Florae Novae Hollandiae plate 14), Ferdinand Bauer
illustrationes florae novae hollandiaeferdinand bauer
Procris and Cephalus (Liber Studiorum, part VIII, plate 41), George Clint, 14 February 1812
liber studiorumgeorge clint
The First Book of Urizen, Plate 15 (Bentley 14), William Blake, 1794
romanticism,fairy paintingthe book of urizen
The Lament of the Art of Painting, Cornelis Cort, 1579
paintings by federico zuccaricornelis cort
Le château d'Henri IV et une partie de la ville de Pau, Basses Pyrénées. 14 Juin 1821. The Castle of Henry 4th and part of the Town of Pau, Basses Pyrénées. June 14 1821, Marianne Colston, 1823
historical drawings of pau castlegave de pau
Plate XXXIII (33): Venus. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Giovanni Girolamo Frezza, 1734
prints in the metropolitan museum of artmuseum florentinum
The Palaces, James McNeill Whistler, 1879
prints by james mcneill whistler in the metropolitan museum of artaestheticism
Grotesque Borders for Rooms & Halls, Plate 14, Thomas Rowlandson, 21 July 1799
satirical art worksromanticism
The Raising of Lazarus: The Larger Plate, Rembrandt, circa 1632
prints by rembrandt in the metropolitan museum of artdutch golden age painting
Plate LXXI (71): Narcissus. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734
prints in the metropolitan museum of artmuseum florentinum
Plate LXXV (75): Male Athlete. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734
prints in the metropolitan museum of artmuseum florentinum
Plate XXXVII (37): Mars. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734
prints in the metropolitan museum of artmuseum florentinum
1834-14-A ruin on the banks of the Jumna, above the city of Delhi, William Purser, 1833
fisher's drawing room scrap book platesrobert james elliot (royal navy)
Piazzi-plate 14, 1877
plates from piazzi smyth 1877
View of the Palace and Village of Choisi, on the Banks of the Siene 1803; Plate 14 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2623, Frederick Christian Lewis
etchings in the yale center for british artfrederick christian lewis
Christ Crowned with Thornes, from The Passion of Christ, plate 14, Grégoire Huret, 1664
prints of jesus christ in the metropolitan museum of artgrégoire huret
Altera pars 14, 1603–08?
hortus floridus by crispijn van de passe (ii)altera pars
A Lady in a Hunting Costume with a Lady in Walking Costume on a Mountain Path from La Mode Illustrée, Adele-Anais Toudouze, 1881
adèle-anaïs toudouzefashion in 1881
Plate 14 from "The Disasters of War' (Los Desastres de la Guerra):It's a hard step! (Duro es el paso!), Francisco Goya, 1810 (published 1863)
los desastres de la guerra, metromanticism,rococo
Hat Boxes, Opera Reminiscences, pt. 2, William Heath, 14 July 1829
william heath (artist)rogers fund
Plate 14 from "The Disasters of War' (Los Desastres de la Guerra):It's a Hard Step! (Duro es el paso!), Francisco Goya, 1810
los desastres de la guerra, met set 2romanticism,rococo
Dunstanborough Castle (Liber Studiorum, part III, plate 14), J. M. W. Turner, 10 June 1808
etchings by charles turnerromanticism
Journal des Luxus und der Moden 1790, Band V, T.14, BI-1967-1159C-14
fashion plates in the rijksmuseumfashion in 1790
A Rake's Progress, Plate 6, William Hogarth, 25 June 1735
a rake's progressrealism
A Rake's Progress, Plate 3, William Hogarth, 25 June 1735
a rake's progressrealism
The Raising of Lazarus: The Larger Plate, Rembrandt, circa 1632
prints by rembrandt in the metropolitan museum of artdutch golden age painting
A Rake's Progress, Plate 2, William Hogarth, 25 June 1735
a rake's progressrealism
Page 14: A woman dancing, advertisment for the song 'La Serpentina', from '36 Grabados' (Mexico, 1943), José Guadalupe Posada
works by josé guadalupe posadaantonio vanegas arroyo
Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die, 1530–60
prints by antonio salamancaprints by master of the die
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14), William Blake, 1794
romanticism,fairy paintingeurope a prophecy - copy a
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15), William Blake, 1794
romanticism,fairy paintingeurope a prophecy - copy a
Plate IIII (4): Leda and the Swan. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Cosimo Mogalli, 1734
prints in the metropolitan museum of artmuseum florentinum
Evolution in the past (Plate 14) BHL21155440, 1912
ichthyosaurus life restorationsevolution in the past
America. A Prophecy, Plate 14, "So Cried He....", William Blake, 1793
america a prophecy - copy mromanticism,fairy painting
Combinaisons ornementales—Plate 14
vintagecolor
Miranda (Shakespeare, The Tempest, Act 1, Scene 1), Caroline Watson, 14 April 1809
literary prints in the metropolitan museum of artcaroline watson
A Rake's Progress, Plate 4, William Hogarth, 25 June 1735
a rake's progressrealism
A Rake's Progress, Plate 1, William Hogarth, 25 June 1735
a rake's progressrealism
Plate LXII (62): Flora. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734
prints in the metropolitan museum of artmuseum florentinum
Plate LXVIII (68): Hercules. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734
prints in the metropolitan museum of artmuseum florentinum
Plate X (10): Apollo. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734
prints in the metropolitan museum of artmuseum florentinum
Houghton Typ 625 09.405 - Habiti delle donne venetiane intagliate in rame nuouament, plate 14, Giacomo Franco, circa 1608
media in the houghton library, harvard university1600s fashion
The Hall and Stair Case, British Museum (Microcosm of London, plate 14), Rudolph Ackermann, 1 April 1808
grand staircases in englandrudolph ackermann
Plate 14 from "The Disasters of War' (Los Desastres de la Guerra):It's a hard step! (Duro es el Paso!), Francisco Goya, 1810 (published 1863)
los desastres de la guerra, metromanticism,rococo
New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14, Stradanus, circa 1600
prints after jan van der straetmannerism
Agassiz - Études sur les glaciers, 1840 - Planche 14, Joseph Bettannier
joseph bettannierunteraargletscher
Christ Presented to the People: Oblong Plate, Rembrandt, 1655
prints by rembrandt in the national gallery of art (washington, d.c.)dutch golden age painting
Text Plate, Giovanni Battista Piranesi, 1748
etchings by giovanni battista piranesi in the national gallery of art (washington, d.c.)neoclassicism
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats, James Malton, 1802
drawings in the yale center for british artjames malton
Life in Philadelphia. Plate 4 - C. fecit. LCCN2012647352, 1828
life in philadelphia1828 in philadelphia
Four Heads From the Raphael Cartoons at Hampton Court, William Hogarth, 14 May 1781
jane hogarthrealism
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11), William Blake, 1794
romanticism,fairy paintingthe book of urizen
The Theatrical Atlas, George Cruikshank, 7 May 1814
samuel whitbread iihannah humphrey
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25), William Blake, 1789
songs of innocence - copy g 1789romanticism,fairy painting
Plate 14: shepherdess herding goats, from 'Various animals' (Diversi animali), Stefano della Bella, circa 1641
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 2: Octavius in profile to the left, from 'The Twelve Caesars', Raffaello Schiaminossi, circa 1610–40
prints by raffaello schiaminossithe elisha whittelsey collection
Histoire des végétaux fossiles, Plate 35, Jean-Baptiste Meunier
adolphe théodore brongniartjean-baptiste meunier
Plate 14: Argonauts Led by Mercury in Form of a Peacock - *Magnificent Pageant on Arno*, Remigio Cantagallina, 1664
prints in the metropolitan museum of artworks after remigio cantagallina
Plate 14: Valets marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
pompa funebris optimi potentissimique principis alberti pii, archiducis austriae, ducis burg. bra. &c., 1623department of drawings and prints, metropolitan museum of art
The Royal Sovereign Turret-Ship, Edwin Weedon, 14 May 1864
ships in the illustrated london newsthe illustrated london news 1864
Madonna and Child, Valentine Green, 3 December 1774
engravings after angelica kauffmannvalentine green
Parnassus, Marcantonio Raimondi
engravings by marcantonio raimondi in the national gallery of artengravings by marcantonio raimondi
Plate 14 from the 'Tauromaquia': The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body., Francisco Goya, 1816
la tauromaquia, metromanticism,rococo
Illustrations of new species of exotic butterflies Charaxes III, William Chapman Hewitson, 1863
charaxes cacuthispolyura caphontis
Histoire des végétaux fossiles, Plate 69, Jean-Baptiste Meunier
histoire des végétaux fossiles, volume 1jean-baptiste meunier
Plate 14: Cupid airborne gleeing from Psyche, from 'The Fable of Psyche', Master of the Die, 1530–60
prints by master of the dieprints by antonio salamanca
Prado - Los Desastres de la Guerra - No. 14 - Duro es el paso!, Francisco Goya
los desastres de la guerra (museo del prado set)romanticism,rococo
Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.), Francisco Goya, 1810–14
los desastres de la guerra, metromanticism,rococo
Jerusalem, Plate 14, "One hair nor particle of dust....", William Blake, 1804 to 1820
jerusalem the emanation of the giant albion - copy e - google art projectromanticism,fairy painting
The Siege of La Rochelle [plate 14 of 16; set comprises 1952.8.97-112], Jacques Callot, 1628/1631
prints in the national gallery of art (washington, d.c.)works after jacques callot
Lithographic Drawing-Book, Frederick Calvert, circa 1825
lithographic drawing-bookpaper
Bisset's Magnificent Guide - James Bisset - 1808 - 50 - plate 14 - 132-0-666x1024, James Bisset
bisset's magnificent guide (1808 edition)james bisset
Bisset's Magnificent Guide - James Bisset - 1808 - 14 - plate B - 95-0-679x1024, James Bisset
bisset's magnificent guide (1808 edition)james bisset
Plate 14: Ferdinand on a voyage with the Argonauts; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', 1636
department of drawings and prints, metropolitan museum of artjacobus van schoor
The Botanical Magazine Vol 14 Plate 469 - Platylobium formosum (Large-Flowered Flat-Pea), Sydenham Edwards, 1800
the botanical magazine, volume 14sydenham edwards
Book of Job, Plate 14, When the Morning Stars Sang Together, William Blake, 1825
engravings in the yale center for british artromanticism,fairy painting
Plate 14: Gideon Terrorizing the Enemy Camp, from 'The Battles of the Old Testament', Antonio Tempesta, circa 1590–ca. 1610
etchings by antonio tempestarenaissance
St. Savior (3rd book, pl. 14), Émilien Frossard, 1829
historical images of luz-saint-sauveurémilien frossard
La cascade du Cerizet, près de Cauterets, Hautes-Pyrénées. 14 septembre 1821 The Cascade of Cerizet, near Cauterets, Hautes Pyrénées. September 14 1821, Marianne Colston, 1823
cascade du cerisey in artmarianne colston
The ancient Capitol ascended by approximately one hundred steps . . . (Campidoglio antico a cui si ascendeva per circa cento gradini . . .), Giovanni Battista Piranesi, circa 1750
prints by giovanni battista piranesineoclassicism
Liberality and Desire, Thomas Rowlandson, 29 November 1788
samuel william foresromanticism
Goya-Guerra (14), Francisco Goya, 1810s
los desastres de la guerra, rabasfromanticism,rococo
Richard Teschner 002, Richard Teschner, before 1948
richard teschner
Plate 14: Erichthonius Released from his Basket (Erichtonius cistella laxata cernitur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606
antonio tempesta - metamorphoses of ovidrenaissance
Plate 14 from "The Disasters of War' (Los Desastres de la Guerra):It's a Hard Step! (Duro es el paso!), Francisco Goya, 1810
los desastres de la guerra, metromanticism,rococo
Hadleigh Castle (Large Plate), John Constable, 1830 and 1832
mezzotints in the national gallery of art (washington, d.c.)realism,romanticism
Rufoclanis fulgurans, Karl Jordan
lepidoptera research of lionel walter rothschildkarl jordan
A Dismounted Light Horse Volunteer, Rudolph Ackermann, 30 June 1804
caricatures of soldiersrudolph ackermann
Frame for a Dedication Plate, Claude-Augustin Duflos
department of drawings and prints, metropolitan museum of artprints by françois boucher
'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback, copy in reverse of Goya's Plate 14 from 'Los Caprichos', Francisco Goya, after 1816
artworks with known accession numberartworks without wikidata item
Plate from Book of Vases, Gabriel Huquier
jacques de lajouegabriel huquier
Plate from Book of Vases, Gabriel Huquier
jacques de lajouegabriel huquier
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